---Concert Programme---
- Introduction - Chase - Andrew Knight-Hill - [WORLD PREMIERE] - The Swan - Camille Saint-Saëns - Free Music 1 & 2 - Percy Grainger - Rhythmicon Ensemble - Lydia Kavina - Hyperdrone #2 - Anna Triosi - [WORLD PREMIERE] - Mixing Radio - Lydia Kavina - Theremin Breaks - Mishael Holdbrook [WORLD PREMIERE] - Theremin Film Music - Bernard Herrmann, Danny Elfman, Howard Shaw - Sirenscapes - Nadine Schütz - [WORLD PREMIERE] |
Norm contaminated is a work commissioned by Arts Catalyst for the Exhibition “Brownsea: an imaginary island (an island of the imaginary)” 22/03/2018 to 12/05/2018 - Arts Catalyst, 74-76 Cromer Street, King's Cross, London.
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Exhibition “Brownsea: an imaginary island (an island of the imaginary)” 22/03/2018 to 12/05/2018 - Arts Catalyst, 74-76 Cromer Street, King's Cross, London. Pictures courtesy of Neal White.
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"Keen-skin" is a performance based on haptic sensations by combined tactile and kinaesthetic feedback measured through electroencephalography. Streamed data create a sound experience generated by real emotions of both performer and “user”. Keen-Skin consists in an immersive interactive installation that intends to create an augmented reality of human tactile senses, emotions that are triggered by movements of the performance, but also from the sound itself. Humans haptic interaction relates to all aspects of touch and body movement but also to the application of human senses to the digital interactive language. Interpersonal touch is an undervalued aspect of human nature; the proposed installation aims to create an environment where the most profound communication channel for humans takes a renewed meaningful role.
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The Electroshop ensemble focuses on instrumental sound-based artworks comprising both mechanical and non-mechanical gesture (sounding sculptures). The position adopted in this research is that new musical interfaces demand new musical contexts, and vice-versa. The use of new interfaces reflects the aim of creating a unique work of art where fine arts, sound, programming, interaction paradigms between performers, composition and performance create an intermedial experience.
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‘Cloud Chamber’ - a composition by Alexis Kirke, Antonino Chiaramonte, and Anna Troisi - is a live performance in which the invisible quantum world becomes visible as a violinist and subatomic particle tracks interact together. An electronic instrument was developed which can be "played" live by radioactive atomic particles. Electronic circuitry was developed enabling a violin to create a physical force field that directly affects the ions generated by cosmic radiation particles. This enabled the violinist and the ions to influence each other musically in real time. A glass cloud chamber was used onstage to make radioactivity visible in bright white tracks moving within, with the tracks projected onto a large screen.
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